Tallinn Black Nights defends Russian film “Deaf Lovers” amidst controversy, citing its anti-war message
The Tallinn Black Nights Film Festival (PÖFF) has responded to criticism surrounding its selection of the Russian film "Deaf Lovers" by emphasizing its anti-war message and the independent values of its director, Boris Guts. The film, which tells the story of a Ukrainian girl and a Russian boy whose relationship unravels over the war in Ukraine, is set to have its world premiere at the festival on November 17, with additional screenings on November 18 and 20.
Festival director Tiina Lokk addressed the backlash in a public statement, acknowledging the concerns raised by both Ukrainians and Russians but underlining that most critics had not seen the film. Lokk stressed the importance of fostering discussion and respecting freedom of expression, while adhering to legal and ethical standards in debates.
"Deaf Lovers" was originally included in the festival’s Standing with Ukraine programme, dedicated to highlighting Ukraine’s fight for sovereignty, but has since been removed from that section. It remains part of the official selection competition, where its inclusion continues to generate debate.
The Director’s Perspective:
Boris Guts, the film’s director, fled Russia in 2022 after the escalation of the conflict in Ukraine and has lived as a refugee across Europe, currently residing in Serbia. PÖFF highlighted Guts’ opposition to the Russian regime and his history of producing politically charged films. His previous work, Minsk, depicted the aftermath of the 2020 Belarusian presidential elections and was banned in Belarus and Russia.
According to the festival, "Deaf Lovers" was filmed in Istanbul with an international crew and financed entirely by Guts himself. Estonian studio Max-Grip served as a co-producer, and Antipode Sales International, now based in Israel, is handling the film’s sales. Antipode has a history of distributing films critical of the Russian regime, including Putin Forever? and Far Eastern Golgotha.
Festival’s Stance on Inclusion:
The festival reaffirmed its support for Ukraine, citing its track record of rejecting state-funded Russian and Belarusian films since 2022. PÖFF has actively championed Ukrainian filmmakers, including facilitating their participation at the Cannes Film Festival. This year’s programme includes eight Ukrainian-produced or co-produced films.
"PÖFF has always supported independent voices and democratic values," the festival’s statement read. Lokk also pointed to the inclusion of films from both Israeli and Palestinian filmmakers as an example of the festival's commitment to showcasing diverse and oppositional perspectives.
Despite the controversy, Lokk expressed concerns about external pressures on film festivals, reiterating her belief in the autonomy of artistic platforms. "There is no right to demand that you should take a film off your programme," she said.
Context:
"Deaf Lovers" explores the complex relationship between a Ukrainian woman and a Russian man, reflecting the tensions brought on by the war. The film culminates in an act of violence against the female protagonist, who ultimately decides to leave the relationship, symbolizing resistance and autonomy.
While the film’s narrative and production reflect an anti-war stance, its inclusion has ignited debates over representation and timing. PÖFF’s decision to defend the film aligns with its broader mission of promoting freedom of expression and democratic values in filmmaking, even amidst heightened political sensitivities.